Jeff’s research bibliography

• AAC&U. Liberal Education Outcomes: A Preliminary Report on Student Achievement in College. Washington, DC: Association of American Colleges and Universities, 2005. Link
• ———. Communicating Commitment to Liberal Education: A Self-Study Guide for Institutions. Washington, DC: Association of American Colleges and Universities, 2006. Link
• ———. The Leap Vision for Learning: Outcomes, Practices, Impact, and Employers’ Views. Washington, DC: Association of American Colleges and Universities, 2011. Link
• Council, Ad Hoc Committee on Program Definition and General. Program Definition and General Education for Degree Programs At Mount Royal College. Calgary: Mount Royal College, 2006.
• Shatz, Adam. ““Adam Shatz Remembers Ornette Coleman”.” London Review of Books. Link
• Adams, Douglas. The Hitchhiker’s Guide to the Galaxy. 1st American ed. ed., New York: Harmony Books, 1980.
• Adams, Laurie. Art Across Time. Boston: McGraw Hill College, 1999.
• Ades, Hawley. Choral Arranging. [1st ed.] ed., Delaware Water Gap, Pa.: Shawnee Press, 1966.
• Adorno, Theodor, and Max Horkheimer. Towards a New Manifesto. 1 ed., Verso, 2011. Link
• Adorno, Theodor W. “On Popular Music.” (1941) Link
• ———. The Jargon of Authenticity. Evanston, Ill.: Northwestern University Press, 1973. Link
• ———. Prisms. Cambridge, Mass.: MIT Press, 1981. Link
• ———. “Music, Language, and Composition.” The Musical Quarterly Vol. 77, No. 3 (1993): 401-14. Link
• ———. Aesthetic Theory. Minneapolis: University of Minnesota Press, 1997. Link
• ———. Problems of Moral Philosophy. 1st. ed., Stanford, CA: Stanford University Press, 2001. Link
• ———. Towards a Theory of Musical Reproduction: Notes, a Draft and Two Schemata. Cambridge: Polity Press, 2006. Link
• ———. History and Freedom: Lectures 1964-1965. 1 ed., Polity Press, 2006. Link
• Adorno, Theodor W., Richard D. Leppert, and Susan H. Gillespie. Essays on Music / Theodor W. Adorno ; Selected, With Introduction, Commentary, and Notes By Richard Leppert ; New Translations By Susan H. Gillespie. Berkeley, Calif.: University of California Press, 2002. Link
• Adorno, Theodor W., Anne G. Mitchell, and Wesley V. Blomster. Philosophy of Modern Music. Vol. Athlone contemporary European thinkers New York: Continuum, 2003.
• Adorno, Theodor W. & Eisler, Hanns. “The Politics of Hearing.” Audio Culture: Readings in Modern Music. Ed. Christoph & Warner Cox, Daniel. New York: Continuum, 2004. 73-75. Link
• Adorno, Theodor W. & Horkeimer, Max. Dialectic of Enlightenment. New York: Continuum, 1999. Link
• Adorno, Theodor W. & Rabinbach, Anson G. “Culture Industry Reconsidered.” New German Critique No. 6 (1975): pp. 12-19. Link
• Aeschylus. The Oresteia Trilogy: Agamemnon, the Libation-Bearers, and the Furies. New York: Dover Publications, 1996.
• Agawu, Kofi. “The Challenge of Semiotics.” Rethinking Music. Ed. Nicholas & Everist Cook, Mark. Oxford: Oxford University Press, 1999. 138-60.
• ———. “Contesting Difference: A Critique of Africanist Ethnomusicology.” The Cultural Study of Music : A Critical Introduction. Ed. Trevor Herbert & Middleton Martin Clayton, Richard. New York ; London: Routledge, 2003. 368.
• Albersheim, Gerhard. “Overtones and Music Theory.” Bulletin of the American Musicological Society Sept.11/12/13 (1948): 69-71. Link
• Aldwell, Edward., and Carl. Schachter. Harmony & Voice Leading. 3rd ed. ed., Australia ; United States: Thomson/Schirmer, 2003. Link
• Aldwell, Edward., Carl. Schachter, and Allen Clayton. Cadwallader. Harmony & Voice Leading. 4th ed. ed., Boston, MA: Schirmer/Cengage Learning, 2011.
• Alexander, Edward P. Museums in Motion : An Introduction to the History and Functions of Museums. Nashville: American Association for State and Local History, 1979.
• Alford, C. Fred. Levinas, the Frankfurt School and Psychoíanalysis. Middletown, Connecticut: Wesleyan University Press, 2002.
• Allen, et. al. “Ecomusicology Colloquy.” Journal of the American Musicological Society 64.2 (2011) Link
• Allen, Reginald E., ed. Greek Philosophy: Thales to Aristotle, 2nd Edition. New York: The Free Press, 1985.
• Allen, Sarah. The Philosophical Sense of Transcendence: Levinas and Plato on Loving Beyond Being. Duquesne UP, 2009.
• Allen, Woody. “God.” The Hbj Anthology of Literature. Ed. Jon C. Stott et al. Toronto: Harcourt Brace Jovanovich Canada Inc, 1993.
• Allt, W. Greenhouse. “‘A Twentieth Century Folk Mass’.” The Musical Times Vol. 99, No. 1379 (1958): 40.
• Sen, Amartya. “The Economic Consequences of Austerity.” New Statesman (2015) Link
• American Psychiatric Association, eds. Diagnostic and Statistical Manual of Mental Disorders, Fourth Edition, Text Revision. Arlington, Virginia: American Psychiatric Association, 2000.
• Amico, Stephen. “‘I Want Muscles’: House Music, Homosexuality and Masculine Signification.” Popular Music 20 (2001): 359-78. Link
• Britton, Amy. louderthanwar.com (2012)
• Goodburn, Amy. “Chapter 11 Peer Review of Teaching At the University of Nebraska-Lincoln.”
• Anderson, Jennifer L. “Japanese Tea Ritual: Religion in Practice.” Man 22 (1987): 475-98.
• Anderson, Julian. “A Provisional History of Spectal Music.” Contemporary Music Review Vol 19 (2000): 7-22.
• ———. “Timbre, Process and Accords Fixes: Dutilleux and His Younger French Contemporaries.” Contemporary Music Review Vol 29, No. 5 (2010): 447-61.
• Anderson, Richard L. American Muse: Anthropological Excursions Into Art and Aesthetics. New York: Prentice Hall, 1999.
• Andreatta, M, and C Agon. “Structure and Symmetry in Iannis Xenakis’Nomos Alpha for Cello Solo.” Colloque Form and Symmetry (2007) Link
• Feenberg, Andrew. “The May 1968 Archives: A Presentation of the Anti-Technocratic Struggle in May 1968 .”
• McClellan, Andrew L. “The Musée Du Louvre as Revolutionary Metaphor During the Terror.” The Art Bulletin Vol. 70, No. 2 (1988): 300-13.
• Andriessen, Louis. “Improvisation.” Contemporary Music Review Vol. 25, Nos. 5/6 (2006): 541-48.
• Herzog, Annabel. “Review of Claire Elise Katz, Levinas and the Crisis of Humanism.” Link
• Goldgar, Anne. “The British Museum and the Virtual Representation of Culture in the Eighteenth Century.” Albion: A Quarterly Journal Concerned with British Studies Vol. 32, No. 2 (2000): 195-231.
• Vink, Annemiek. “Living Apart Together: A Relationship Between Music Psychology and Music Therapy.” Link
• ———. “Music and Emotion Living Apart Together: A Relationship Between Music Psychology and Music Therapy.” Nordic Journal of Music Therapy Vol. 10, No. 2 : 144-58.
• Beavers, Anthony F. “Introducing Levinas to Undergraduate Philosophers.” Link
• Apel, Willi, and Ralph T. Daniel. The Harvard Brief Dictionary of Music. Cambridge: Harvard University Press, 1960.
• Appell, Glenn., David Hemphill, and Matt Vanderwoude. North American Popular Music. Nelson, 2006. Link
• Arendt, Hannah. “The Crisis in Education.” Link
• Aristotle. On Man in the Universe: Metaphysics, Parts of Animals, Ethics, Politics, Poetics. New York: Walter J. Black, Inc., 1943.
• ———. “Politics.” Source Readings in Music History. Ed. Oliver Strunk. New York: W.W. Norton & Co., 1950.
• ———. Poetics. New York: Dover Publications, 1997.
• Aristotle., and J. A. K. Thomson. The Ethics of Aristotle: The Nicomachean Ethics. Harmondsworth: Penguin, 1967. Link
• Arnason, H. Harvard., and Marla. Prather. History of Modern Art : Painting, Sculpture, Architecture, Photography. 4th ed. ed., New York: Harry N. Abrams, Inc., 1998.
• Arthos, John. The Inner Word in Gadamer’s Hermeneutics. New York: U of Notre Dame Press, 2009.
• Arthur, John. Morality and Moral Controversies : Readings in Moral, Social, and Political Philosophy. 7th ed. ed., Upper Saddle River, N.J.: Pearson Prentice Hall, 2005. Link
• Asmar, C., and T. Peseta. “Figuring Things Out From My Friends’: Encouraging Collaboration Among First Year Students At Undergraduate and Postgraduate Level.” Unpublished paper presented at the Australian Association for Research in Education Conference, Fremantle WA. 2001. Link
• Atack, Margaret. May 68 in French Fiction and Film : Rethinking Society, Rethinking Representation. Vol. Oxford studies in modern European culture Oxford ; New York: Oxford University Press, 1999. Link
• Attali, Jacques. Noise : The Political Economy of Music. Minneapolis: University of Minnesota Press, 1985. Link
• Atterton, Peter. “Levinas and Our Moral Responsibility Toward Other Animals.” Inquiry Vol. 54, No. 6 (2011): 633-49.
• Atterton, Peter, and Matthew Calarco, eds. Radicalizing Levinas. Albany: State University of New York Press, 2010.
• AUCC. Trends in Higher Education, Vol. 1 - Enrollment. Ottawa: The Association of Universities and Colleges of Canada, 2011. Link
• Augoyard, Jean François, Andra. McCartney et al. Sonic Experience : A Guide to Everyday Sounds. Montreal ; Ithaca: McGill-Queen’s University Press, 2006.
• Steinbeck, August Sheehy and Paul. “Introduction: Theorizing Improvisation (Musically).” Journal of Music Theory
• Augustine. “From the Confessions.” Source Readings in Music History. Ed. Oliver Strunk. New York: W.W. Norton and Co., 1950. 73-78.
• ———. Writings of St. Augustine, Volume 2. New York: The Catholic University of America Press, 1977.
• Augustine, St. The Confessions of St. Augustine. New York: Grosset and Dunlap, 1957.
• ———. The Confessions of St. Augustine. New York: Dover Publications, 2002.
• Aulich, John. “Power, Agency, Deference and Difference: Examining the Politics of Composer–Performer Relationships in the Wake of Recent Innovations.” Fields: journal of Huddersfield student research 2.1 (2016) Link
• Auner, Joseph Henry, and Arnold Schoenberg. A Schoenberg Reader : Documents of a Life. New Haven: Yale University Press, 2003.
• Ayala, C., and A. Striplen. “A Career Introduction Model for First-Generation College Freshmen Students.” Thriving in Challenging and Uncertain Times, ed. Garry R. Walz, Counseling and Student Services (2002) Link
• Aylesworth, Gary E. “Lyotard, Gadamer, and the Relation Between Ethics and Aesthetics.” Lyotard: Philosophy, Politics, and the Sublime. New York: Routledge, 2002.
• Babbitt, Milton. “Who Cares if You Listen.” High Fidelity February (1958): 38-40, 126.
• Bachelard, Gaston. The Poetics of Space. New York: Orion Press, 1964.
• Backman, Jussi. Complicated Presence : Heidegger and the Postmetaphysical Unity of Being., 2015.
• Backus, John. The Acoustical Foundations of Music. New York: W.W. Norton & Company, 1969.
• Backus, John. The Acoustical Foundations of Music. 2nd ed. ed., New York: Norton, 1977.
• Badiou, Alain. “Art & Philosophy.” lacanian ink Vol. 17 (2000) Link
• ———. Ethics : An Essay on the Understanding of Evil. London: Verso, 2001. Link
• ———. “The Scene of Two.” Lacanian Ink Vol. 22 (2003) Link
• ———. Handbook of Inaesthetics. Standford: Stanford University Press, 2005.
• Badiou, Alain, and Nicolas. Truong. In Praise of Love. New York: New Press, 2012.
• Badiou, Alain. Saint Paul : The Foundation of Universalism. Stanford, Calif.: Stanford University Press, 2003.
• ———. Being and Event. London ; New York: Continuum, 2005.
• ———. Conditions. London ; New York: Continuum, 2008. Link
• ———. Theory of the Subject. London ; New York: Continuum, 2009. Link
• ———. Five Lessons on Wagner. London ; New York: Verso, 2010.
• ———. The Communist Hypothesis. London ; New York: Verso, 2010.
• ———. The Rebirth of History. London ; New York: Verso, 2012.
• Badiou, Alain., and Bruno. Bosteels. Philosophy for Militants. English-language ed. ed., London ; New York: Verso, 2012.
• ———. The Adventure of French Philosophy. London ; Brooklyn, NY: Verso, 2012.
• Baily, John S. “Ethnomusicology, Intermusability, and Performance Practice.” The New (Ethno)musicologies. Ed. ed. Henry Stobart. Scarecrow Press, 2007. 121-38.
• Bain, Carl E., Jerome Beaty, and J. Paul Hunter. The Norton Introduction to Literature. 6th ed. ed., New York: Norton, 1995.
• Baird, Forrest E. & Walter Kaufmann, eds. Twentieth Century Philosophy 2nd Edition. New Jersey: Prentice Hall, 2000.
• Bakhtin, M. M. The Dialogic Imagination. Austin: University of Texas Press, 1981.
• ———. Rabelais and His World. Bloomington: Indiana University Press, 1984.
• ———. Problems of Dostoevsky’s Poetics. Minneapolis: University of Minnesota Press, 1984.
• ———. Speech Genres and Other Late Essays. Austin: University of Texas Press, 1986.
• ———. “Characteristics of Genre and Plot Composition in Dostoevsky’s Works.” Fantastic Literature : A Critical Reader. Ed. David Sandner. Oxford: Praeger; Harcourt Education, 2004. 116-32.
• Baldacchino, Lewis. A Study in Kant’s Metaphysics of Aesthetic Experience. New York: Edwin Mellen Press, 1991.
• Bannister, Peter. “The Necessity of Grace.” (2008)
• Baraka, Amiri. Blues People; Negro Music in White America. New York: W. Morrow, 1963.
• ———. “Sounding.” Black American Literature Forum Vol. 16, Autumn.3 (1982): 103-5. Link
• ———. “The “blues Aesthetic” and the “black Aesthetic”: Aesthetics as the Continuing Political History of a Culture.” Black Music Research Journal 11 (1991): 101-9. Link
• ———. “Jazz and the White Critic.” Riffs and Choruses : A New Jazz Anthology. Ed. Andrew Clark. London: Continuum, 2001. 91-95.
• Barasch, Moshe. Theories of Art From Plato to Winckelmann. New York: New York University Press, 1985.
• Winkler, Barbara Scott. “Review of Theory and Resistance in Education: A Pedagogy for the Opposition By Henry a. Giroux.” Phenomenology + Pedagogy Vol 2, No 2 (1984)
• Barber, Michael. “Alfred Schutz.” The Stanford Encyclopedia of Philosophy. Eds. Edward N. Zalta, and % The Stanford Encyclopedia of Philosophy. Fall 2008 ed. C URL = http://plato.stanford.edu/archives/fall2008/entries/schutz/: Stanford University, 2008. Link
• Barkley, Elizabeth F., K. Patricia Cross, and Claire Howell. Major. Collaborative Learning Techniques : A Handbook for College Faculty. 1st ed. ed., Vol. The Jossey-Bass higher and adult education series San Francisco: Jossey-Bass, 2005. Link
• Barnard, Stephen. Rock : An Illustrated History. New York: Schirmer Books, 1986.
• Barthes, Roland. “The Grain of the Voice (1977).” On Record: Rock, Pop, and the Written Word. Ed. Simon & Good Frith, Andrew. New York: Pantheon Books, 1990. 293-300.
• Barz, Gregory F. “Meaning in Benga Music of Western Kenya.” British Journal of Ethnomusicology Vol. 10.1 (2001): 107-15. Link
• Basil, St. “Republic.” Source Readings in Music History. Ed. Oliver Strunk. New York: W.W. Norton & Co., 1950.
• Bass, Alice. The Creative Life. Illinois: Intervarsity Press, 2001.
• Basso, Keith H. “Wisdom Sits in Places.” Senses of Place. Eds. Steven. Feld, and Keith H. Basso. 1st ed. ed. Santa Fe, N.M. [Seattle]: School of American Research Press Distributed by the University of Washington Press, 1996. viii, 293. Link
• Battcock, Gregory, ed. Breaking the Sound Barrier: A Critical Anthology of the New Music. New York: E.P. Dutton, 1981.
• Baudrillard, Jean. Simulacra and Simulation. Ann Arbor: University of Michigan Press, 1994.
• Bazeley, P., Kemp, L., Stevens, K., Asmar, C., Grbich, C., Marsh, H., Bhatal, R. “Waiting in the Wings: A Study of Early Career Academic Researchers in Australia.” NBEET commissioned report (1996)
• BBC. “Vote for the World’s Saddest Music.” (2004) Link
• Beauvoir, Simone de, and Bernard Frechtman. The Ethics of Ambiguity. New York, Philosophical Library, 1949.
• Beckett, Samuel. Endgame, a Play in One Act, Followed By Act Without Words, a Mime for One Player. New York: Grove Press, 1958.
• Beckett, Samuel, and Dellas. Henke. Waiting for Godot. Iowa City: [D. Henke, 1979.
• Beckles Willson, Rachel. “Whose Utopia? Perspectives on the West-Eastern Divan Orchestra.” Music and Politics Vol. 3, No. 2 (2009): 1-21. Link
• Begbie, Jeremy. Theology, Music, and Time. Cambridge: Cambridge University Press, 2000.
• ———. “The Powers of Music in Worship.” Imagination and Interpretation: Christian Perspectives. Ed. Hans Boersma. Vancouver: Regent College Publishing, 2005. 109-27.
• ———. Resounding Truth : Christian Wisdom in the World of Music. Grand Rapids, MI: Baker Academic, 2007.
• Begbie, Jeremy S. Resonant Witness: Conversations Between Music and Theology. Wm. B. Eerdmans Publishing Company, 2011. Link
• Begbie, Jeremy. Music, Modernity, and God : Essays in Listening. First edition. ed., 2013.
• Belasco, Warren. Food: The Key Concepts. Berg Publishers, 2008. Link
• Belcher. “Writing the Academic Book Review.”
• Bell, Carla Huston. Olivier Messiaen. Boston, Mass.: Twayne Publishers, 1984.
• Bendix, Reinhard. Max Weber: An Intellectual Portrait. New York: Doubleday, 1962.
• Benedict XVI, Pope. “Christmas Eve Midnight Mass At St. Peter’s Basilica in the Vatican.” (2009)
• Benjamin, Walter. “Surrealism: The Last Snapshot of the European Intelligentsia.” (1929) Link
• ———. “The Work of Art in the Age of Mechanical Reproduction.” The Nature of Art: An Anthology. Ed. Thomas Wartenberg. New York: Harcourt College Publishers, 2001. 172-81.
• Benso, Silvia. “The Breathing of the Air: Presocratic Echoes in Levinas.” Levinas and the Ancients. Ed. Brian Schroeder. Bloomington : Indiana University Press, 2008. 9-23. Link
• Benson, Bruce Ellis. Graven Ideologies: Nietzsche, Derrida & Marion on Modern Idolatry. IVP Academic, 2002.
• ———. The Improvisation of Musical Dialogue : A Phenomenology of Music Making. Cambridge: Cambridge University Press, 2003.
• ———. “In the Beginning, There Was Improvisation: Responding to the Call.” Verge: a journal of the arts and Christian faith Vol. 1, No. 1 (2011): 6-22.
• Evangelicals and Empire. ed. Bruce Ellis & Peter Goodwin Heltzel Benson, eds., Grand Rapids, MI: Brazos Press, 2008.
• Berg, Shelton. Jazz Improvisation: The Goal Note Method. New York: Lou Fischer Music, 1992.
• Berger, John. Ways of Seeing. Link
• Berglund, Birgitta, Thomas Lindvall Dietrich H Schwela. Guidelines for Community Noise. Geneva: World Health Organization, 1999. Link
• Bettina, Bergo. “The Trace in Derrida and Lévinas.”
• Bergo, Bettina. “Emmanuel Levinas.” The Stanford Encyclopedia of Philosophy. Eds. Edward N. Zalta, and % The Stanford Encyclopedia of Philosophy. Fall 2008 ed. C URL = http://plato.stanford.edu/archives/fall2008/entries/levinas/: Stanford University, 2008. Link
• Bergo, Bettina. Levinas Between Ethics and Politics : For the Beauty That Adorns the Earth. Vol. Phaenomenologica ; 152 Dordrecht ; Boston: Kluwer Academic, 1999.
• Bergson, Henri. An Introduction to Metaphysics. London: Macmillan and Co., Limited, 1913.
• ———. The Two Sources of Morality and Religion. Notre Dame: University of Notre Dame Press, 1935.
• ———. Matter and Memory. New York: Dover Publications, 2004.
• Bergstein, Barry. “Miles Davis and Karlheinz Stockhausen: A Reciprocal Relationship.” The Musical Quarterly Vol. 76, Winter.4 (1992): 502-25. Link
• Berkowitz, Aaron L. & Ansaric, Daniel. “Generation of Novel Motor Sequences: The Neural Correlates of Musical Improvisation.” NeuroImage Vol. 41 (2008): 535- 543.
• Berleant, Arnold. “Review of Thomas Clifton’s Music as Heard.” The Journal of Aesthetics and Art Criticism Vol. 42, Spring.3 (1984): 345-47. Link
• Berliner, Paul F. Thinking in Jazz: The Infinite Art of Improvisation. Chicago: University of Chicago Press, 1994.
• Shaw, Bernard. “Shaw on Music.”
• Richardson, Berthold Rittberger & Jeremy. “What Happens When We Do Not Defend Academic Freedom.” Journal of European Public Policy (2017) Link
• Besant, Walter. The History of London. London: Longmans, Green, and Co., 1894.
• Best, Harold M. Music Through the Eyes of Faith. San Francisco: HarperSanFrancisco, 1993.
• Biddle, Ian. “Of Mice and Dogs: Music, Gender, and Sexuality At the Long Fin De Siecle.” The Cultural Study of Music : A Critical Introduction. Ed. Trevor Herbert & Middleton Martin Clayton, Richard. New York ; London: Routledge, 2003. 368.
• ———. “Love Thy Neighbour? The Political Economy of Musical Neighbours.” Radical Musicology, Vol. 2 (2007): 49 pars. Link
• ———. “Visitors, or the Political Ontology of Noise.” Radical Musicology Vol. 4 (2009) Link
• Bijsterveld, Karin. “The Diabolical Symphony of the Mechanical Age: Technology and the Symbolism of Sound in European and North American Noise Abatement Campaigns, 1900-40.” Social Studies of Science Vol. 31, No. 1 (2001): 37-70. Link
• Bishop, Philip E. A Beginner’s Guide to the Humanities. 2nd ed. ed., Upper Saddle River, N.J.: Pearson/Prentice Hall, 2007.
• Blackburn, Simon. Oxford Dictionary of Philosophy. New York: Oxford University Press, 1994.
• ———. Ethics : A Very Short Introduction. Vol. Very short introductions ; 80 Oxford ; New York: Oxford University Press, 2003.
• Blanchot, Maurice., and P. Adams. Sitney. The Gaze of Orpheus, and Other Literary Essays. Barrytown, N.Y.: Station Hill Press, 1981.
• Blesser, Barry & Salter, Linda-Ruth. Spaces Speak, Are You Listening? Experiencing Aural Architecture. Cambridge, Massachusetts: The MIT Press, 2007.
• Block, Fred L., and Margaret R. Somers. The Power of Market Fundamentalism : Karl Polanyi’s Critique., 2014.
• Block, Steven. “Pitch-Class Transformation in Free Jazz.” Music Theory Spectrum Vol. 12.2 (1990): 181-202.
• Bloechl, Jeffrey. The Face of the Other and the Trace of God : Essays on the Philosophy of Emmanuel Levinas /. New York : Fordham University Press, 2000. Link
• Bloom, Allan David. The Closing of the American Mind : How Higher Education Has Failed Democracy and Impoverished the Souls of Today’s Students. New York: Simon and Schuster, 1987. Link
• Bloom, Harold. The Anxiety of Influence. New York: Oxford University Press, 1973.
• Blum, Peter C. “Overcoming Relativism: Levinas’s Return to Platonism.” Journal of Religious Ethics Vol. 28 Issue 1 (2000): 91-114.
• Larson, Bob. Rock and the Church.
• Boersma, Hans. Imagination and Interpretation: Christian Perspectives. Regent College Publishing, 2005.
• Boethius. “De Institutione Musica.” Source Readings in Music History. Ed. Oliver Strunk. W.W. Norton & Co.: New York, 1950.
• Bogost, Ian. Alien Phenomenology, or What it’s Like to be a Thing. Ann Arbor, MI: Open Humanities Press, 2012.
• ———. “Play Anything.” 2017. Link
• Bogue, Ronald. Deleuze’s Way: Essays in Transverse Ethics and Aesthetics. London: Ashgate, 2007.
• Bohlman, Philip V. “Musicology as a Political Act.” The Journal of Musicology Vol. 11.4 (1993): 411-36. Link
• ———. “Ontologies of Music.” Rethinking Music. Ed. Nicholas & Everist Cook, Mark. Oxford: Oxford University Press, 1999. 17-34.
• ———. World Music: A Very Short Introduction. Oxford University Press, 2002.
• ———. “Music and Culture: Historiographies of Disjuncture.” The Cultural Study of Music : A Critical Introduction. Ed. Trevor Herbert & Middleton Martin Clayton, Richard. New York ; London: Routledge, 2003. 368.
• Bohlman, Philip V., Katherine Bergeron eds. Disciplining Music. Chicago: University of Chicago Press, 1992.
• Bohman, James. “Critical Theory.” The Stanford Encyclopedia of Philosophy. Eds. Edward N. Zalta, and % The Stanford Encyclopedia of Philosophy. Fall 2008 ed. C http://plato.stanford.edu/archives/fall2009/entries/critical-theory/: Stanford University, 2009. Link
• Bonhoeffer, Dietrich. Letters and Papers From Prison. New York: Simon and Shuster, 1971.
• Boorman, Stanley. “The Musical Text.” Rethinking Music. Ed. Nicholas & Everist Cook, Mark. Oxford: Oxford University Press, 1999.
• Borgo, David. Sync or Swarm: Musical Improvisation in a Complex Age. New York: Continuum, 2006. Link
• Born, Georgina. Rationalizing Culture: Ircam, Boulez, and the Institutionalization of the Musical Avant-Garde. University of California Press, 1995.
• ———. “For a Relational Musicology: Music and Interdisciplinarity, Beyond the Practice Turn.” Royal Musicological Association Vol. 135, No. 2 (2010): 205-44.
• Boschman, LaMar. The Rebirth of Music: A Unique View of the Real Meaning and Purpose of Music. Bedford, Texas: Revival Press, 1980.
• Boulez, Pierre & Deliege, Celestin. Pierre Boulez: Conversations With Celestin Deliege. New York: Eulenburg Books, 1976.
• Bourg, Julian. From Revolution to Ethics : May 1968 and Contemporary French Thought. Montreal: McGill-Queen’s University Press, 2007.
• Bourriaud, Nicolas. Relational Aesthetics. Les presses du reel, 1998.
• Bowe, Geoff. “Clitophon.”
• Bowen, Jose A. “Finding the Music in Musicology: Performance History and Musical Works.” Rethinking Music. Ed. Nicholas & Everist Cook, Mark. Oxford: Oxford University Press, 1999. 424-51.
• Bowie, Andrew. “Adorno, Heidegger, and the Meaning of Music.” The Cambridge Companion to Adorno. Ed. Tom Huhn. Cambridge: Cambridge University Press, 2004. 248-78.
• ———. “Gadamer and Romanticism.” Gadamer’s Repercussions. Ed. Bruce Krajewski. Los Angeles: University of California Press, 2004.
• ———. Music, Philosophy, and Modernity. Cambridge: Cambridge University Press, 2007.
• ———. “Jazz.” Understanding Music. Ed. Jim Samson. Cambridge: Cambridge UP, 2008.
• ———. “Musical Aesthetics and Critical Theory.” An Introduction to Music Studies. Ed. Jim & Harper-Scott Samson, J.P.E. Cambridge: Cambridge UP, 2009.
• ———. German Philosophy: A Very Short Introduction. Oxford University Press, 2010.
• ———. “The Philosophical Significance of Schelling’s Conception of the Unconscious.” Thinking the Unconscious: Ninteenth Century German Thought. Ed. Angus & Liebscher Nicholls, Martin. Cambridge: Cambridge UP, 2010. 57-86.
• ———. Adorno and the Ends of Philosophy. 1 ed., Polity Press, 2013. Link
• ———. “Why Germany Won the Philosophy World Cup.” thecritique.com (2015) Link
• ———. Aesthetics and Subjectivity : From Kant to Nietzche. Manchester: Manchester University Press, 2003.
• Boyden, David D., et. al. The Violin Family. New York: W.W. Norton and Co., 1989.
• Boyer, Ernest L. Scholarship Reconsidered: Priorities of the Professoriate. The Carnegie Foundation for the Advancement of Teaching.
• Boynton, Holmes, ed. The Beginnings of Modern Science: Scientific Writings of the 16th, 17th and 18th Centuries. New York: Walter J. Black, Inc., 1948.
• Brackett, David. “What a Difference a Name Makes: Two Instances of African-American Popular Music.” The Cultural Study of Music : A Critical Introduction. Ed. Trevor Herbert & Middleton Martin Clayton, Richard. New York ; London: Routledge, 2003. 368.
• Brackett, David. The Pop, Rock, and Soul Reader : Histories and Debates. 2nd ed. ed., New York: Oxford University Press, 2009. Link
• Bradby, Barbara. “Sampling Sexuality: Gender, Technology and the Body in Dance Music.” Popular Music 12 (1993): 155-76. Link
• Bradby, Barbara, and Dave Laing. “Introduction to ‘Gender and Sexuality’ Special Issue.” Popular Music 20 (2001): 295-300. Link
• Bradley, J.S. “Optimising Sound Quality for Classrooms.” Link
• Bradshaw, Susan. “A Performer’s Responsibility.” Composition - Performance - Reception: Studies in the Creative Process of Music. Ed. Wyndham Thomas. Aldershot: Ashgate, 1998. 53-65.
• Bramdom, Robert. “How Analytic Philosophy Has Failed Cognitive Science  .” (2008) Link
• Brand, Hillary & Chaplin, Adrienne. Art and Soul: Signposts for Christians in the Arts. London: Piquant Press, 2001.
• Braund, Michael James. “The Structures of Perception: An Ecological Perspective.” KRITIKE Vol 2, No 1 (2008): 123-44. Link
• Bromberg, Minna, and Gary Alan Fine. “Resurrecting the Red: Pete Seeger and the Purification of Difficult Reputations.” Social Forces 80 (2002): 1135-55. Link
• Brown, Nicholas. “The Flux Between Sounding and Sound: Towards a Relational Understanding of Music as Embodied Action.” Contemporary Music Review Vol. 25, No 1/2 (2006): 37-46.
• Brown, Stephen R. Moral Virtue and Nature: A Defense of Ethical Naturalism. New York: Continuum, 2008.
• Quaglia, Bruce W. “Planning for Student Variability: Universal Design for Learning in the Music Theory Classroom and Curriculum.”
• Bruhn, Siglind. Messiaen’s Language of Mystical Love. New York : Garland, 1998. Link
• ———. Voicing the Ineffable: Musical Representations of Religious Experience. Hillsdale, New York: Pendragon Press, 2002. Link
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